Palo
Alto Weekly June
8 2001
by Robyn Israel
It
takes a village
A new film by Palo Altans Gunnar and Peter Madsen documents
a Russian village where disabled people live and thrive
In Norse mythology there is a story about
a ferocious wolf -- the fennris -- who threatened to swallow
the world. Thor, the god of thunder, could not defeat him,
despite the use of his mighty hammer. Nor could any of
the other gods. Finally, the task fell to Vidar, whose
power came not from a sword or hammer but rather from his
shoes, which were made from left-over scraps. Vidar put
his foot into the wolf's mouth and pushed his jaw wide
open, causing the fennris to eat himself.
Vidarasen,
a village in Norway where disabled people live and work
together with community volunteers, is named after that
heroic Norse God. The name is highly appropriate, says
Palo Alto native Peter Madsen, who spent three years
working as a volunteer at Vidarasen.
"There
can still be light in the world if humanity chooses to
bear the so-called scraps," he says. "They
make it clear that the rest of us "normal," intellectual
and efficient people are rather handicapped socially," Madsen
says. "We manage to do a lot of things, but we don't
manage to live together well."
After
Vidarasen, Madsen volunteered at Svetlana, a Russian
farm community 90 miles east of St. Petersburg which,
like its Norwegian counterpart, gives mentally disabled
people the chance to live and work together. Established
in 1992, the village is the first of its kind in Russia
and is the subject of a new documentary by Madsen's brother
Gunnar. Entitled "Svetlana Village: The Camphill
Experience in Russia,"
the film will screen this weekend at the Jewish Community
Center in Palo Alto, as part of the annual Russian/American
festival.
Filmed
last August over 10 days, "Svetlana Village" profiles
one hectic week during the farm's harvest. All the crops,
including 40 tons of potatoes, must be brought in, and
a surprise invitation from the farmer's market offers
them their first chance in their five-year history to
sell their produce openly without mafia intervention.
Overwhelmed, they ask for help from the local villages.
Students from schools are given leave to help with the
harvest, and neighbors pitch in with phenomenal generosity.
Funded
by a local foundation, the $20,000 documentary marked
Gunnar's first stab at directing and producing a film.
A professional musician and a founding member of the
a cappella group the Bobs (he, along with songwriting
partner Richard Greene, received a Grammy nomination
in 1984), Gunnar's only previous experience with film
had been an instructional video he had made for the Palo
Alto Sanitation Company, which until 1998 was managed
by his father Paul.
During
his 10-day stay, Gunnar learned how involved the villagers
are in all aspects of the farm, from harvesting potatoes
to sitting in on meetings. Like innocent, earnest children,
they will suggest fun activities, like going on picnics
or gathering seashells.
"They
talk about things that really matter to them," says
Gunnar, a Berkeley resident. "It makes everybody
smile and slow down. It changes the whole tenor of the
meeting. That blew my mind."
"They ground the rest of us in a similar way that children do," Madsen
adds.
Parents,
Madsen said, take an active role at Svetlana, more so
than at Vidarosen. Even the village's name is dedicated
to the mother of a disabled child who lobbied to get
the village started
"It
was beautiful to see," he recalls. "They'd
help with harvesting, pickling, looking after the house.
Their openly warm gratitude was its open reward. Hardly
a day went by where you didn't know the meaning of your
day."
Disabled people in Russia are normally faced with two options:
living with their families, or being placed in institutions,
neither of which offers them the opportunity to work and
function as productive members of society. During Soviet
times, there was also a stigma associated with being the
mother of a developmentally delayed child, since the disability
was thought to be the result of an alcoholic pregnancy.
Many mothers were consequently encouraged to give up their
children.
"For
a mother to keep her child was an act of defiance and
love for her child," Madsen says.
Madsen
first learned about Vidarasen in college, by reading
a book by University of Oslo criminology professor Nils
Christie. Fascinated by the place, Madsen decided to
visit the Norwegian village while traveling through Europe
after graduating from Evergreen State College. Nervous
at first about interacting with disabled people, Madsen's
fears melted when he was led through the village.
"You
come to a setting where the people aren't disabled," Madsen
recalls. "They're villagers. And there's no stigma
associated with that. I realized this isn't a camp or
institution. They're creating a modern form of a village
community."
Madsen
fell in love with the place and stayed three years, becoming
proficient in organic farming practices. In 1996, he
moved on to Svetlana to assist the fledgling village
in its development. He stayed there five years, returning
to the Bay Area this year (he plans to relocate to Camphill
Village U.S.A.. in upstate New York later this summer
with his wife Petra and their two children, Jan and Joshua).
The
film, Madsen says, is being used to raise funds for Svetlana,
which requires $3,000 per month to operate. The current
fund-raising drive is an attempt to establish a million-dollar
supporting fund, the interest of which would provide
Svetlana with enough money to cover running costs, as
well as a capital contingency fund.
There
are almost 100 schools, villages and farms bearing the
Camphill name in 20 countries, including the United States
(the nearest one is situated in Soquel, which was set
up four years ago). The model was begun by Dr. Karl Koenig,
an Austrian pediatrician and educator who fled the Nazis
in 1939 and settled in Scotland. There, on an estate
named Camphill, he began a community for developmentally
disabled children.
Svetlana now has 14 villagers ranging in age from 18 to
34, most of whom hail from the surrounding region; a couple
are from Ukraine and Uzbekistan. Ten co-workers live with
them, representing a variety of countries. Despite primitive
conditions - the place reminded Gunnar of pioneers in the
Old West who had just stepped off their Conestoga wagons
-- a joyous spirit pervades the place.
And
after Gunnar's trip to Russia - his first ever - he came
to fully understand what had taken his brother halfway
around the world to such a distant place.
"I'd wondered if he'd gone on some missionary binge,"
Gunnar says. "But when I witnessed what was going
on, I saw how he got sucked in. The challenges there are
so immediate, and the villagers are having such a good
time. How could you leave? Not out of guilt, but there's
so much to accomplish. I could see how infectious it was."
|